Sexiest Girls of Olive Garden free essay sample

I accept that the objective market for Olive Garden is for the most part focused towards family. They utilize a motto in their publicizing, When youre here, youre family. They highlight youthful experts in their advertisements to target upper pay families. Ladies and young people were destined to be rehashed clients. The famous TV appear, The Girls Next Door, was intended to target men yet wound up focusing on more ladies. It focused on youthful, school taught, upscale adults.The explanation behind focusing on youthful female grown-ups is the expectations of persuading them that the lives the young ladies have on the show is a fantasy to follow. 2. Olive Garden has gone through years buckling down towards their picture as a healthy family feasting foundation. Its settings are finished with numerous Italian components to cause if to feel as great and home-like as could be expected under the circumstances. The brand has had a lot of progress, particularly with them supporting altruistic exercises. I dont think their picture is predictable with the picture of The Girls Next Door. We will compose a custom exposition test on Hottest Girls of Olive Garden or then again any comparable point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page Olive Garden claims to guardians, grandparents, and families and this isn't what the TV show is about. I dont see families plunking down to watch a show about the Playboy young ladies. 3. Olive Garden will confront numerous dangers partner Playboy and Kendra with its eateries. I figure setting off to the eateries to locate the hottest representatives can be belittling to the organization and may give families an inappropriate impressions. Giving the champ a naked Playboy pictorial will conflict with the family picture that Olive Garden has endeavored to gain.I wouldnt need my grandparents or kids partner Olive Garden with naked young ladies. In different hands, it could acquire an entirely different group and give them more business in spite of the fact that it probably won't be the kind of group that they need. 4. Brand value is the point at which an organization makes their item a notable brand name. The brand can include critical worth when it is all around perceived and gives the purchaser positive affiliations. I trust Olive Garden has worked superbly with their image value on the grounds that a large number of their clients are rehashing customers.Brand value is tied in with building steadfast clients and they have fabricated their organization on this. 5. I feel that Olive Garden needs to avoid partner themselves with the challenge and needs to prevent the Playboys from doing it. They advance to more youthful individuals and families, with a significant number of them knowledgeable. Many individuals take a gander at the Playboys as non instructed individuals who dont care much for themselves and this is the direct inverse of Olive Gardens brand. Eventually it would not be a decent intrigue for them and may make the families who are faithful clients to quit going there.

Worst Roommate Ever How to Get Along and Co-Exist

Most exceedingly awful Roommate Ever How to Get Along and Co-Exist Commonly, you dont get the chance to pick your flat mate on the off chance that you live in a residence. While its conceivable to change rooms or solicitation another flat mate, the procedure is troublesome and must be utilized if theres a difficult issue. So before you track down the RA and work up a universe of show, attempt a portion of these tips to get along. Eliminate any confusion Air The initial step to coexisting with your flat mate is to eliminate any confusion air and get all the past dramatization off the beaten path. This is best cultivated on the off chance that you venture out start with a harmony offering. Regardless of whether its getting their preferred remove supper or simply sharing a container of wine, approach the conversation with a receptive outlook and a grin all over. Be set up to assume liability for anything youve done to aggravate the issue †this isnt a contention to be won, its a method to just eliminate any confusion air and start new. You Dont Have to Be BFFs Theres consistently a dubious thought that your school flat mate will turn into your new Best Friend. You two will leave on this excursion of individual, otherworldly and scholarly development, a bond will shape and youll be building up a kinship that supports you for an incredible remainder. While TV films and sitcoms paint the image, actually most understudies experience in any event one year of living with somebody they just can't stand. Acknowledge that you dont need to like each other †you simply need to live respectively. Set Clear Boundaries Once youve dispelled any confusion air and acknowledged that you two dont need to become besties, you can set out some reasonable limits. You cannot stand it when your flat mate lets their filthy clothing heap up so high the spot smells like a monster armpit and your epic World of Warcraft meetings drive them up the divider. So your flat mate consents to do clothing all the more frequently or get a hamper with a water/air proof cover and youll need to begin utilizing headphones and not yelling at the screen when you play. Be happy to bargain and be eager to get everything out in the open at this point. Dont criticize or attempt to compel your flat mate into fitting in with all that you need without being eager to roll out certain improvements yourself. The objective is to discover a trade off †a route for you two to have a similar space, that's it. Talk about the issues youve had just as potential issues. Set up clear and complete standards for drinking or smoking in the room having for the time being visitors clamor levels for music, TV, computer games, and so forth keeping the room clean On the off chance that the idea of talking about any of this makes you awkward, simply envision how awkward youll be the point at which your flat mate chooses to play Rock Band at 3am. Get Going Perhaps the least complex approaches to manage not having any desire to be around your flat mate is, obviously, to simply not be home when they are. On the off chance that conceivable, stun your classes for the day if theirs are toward the beginning of the day. Work odd movements, spend time with companions all the more regularly or simply get out and have a fabulous time nearby. On the off chance that youre not normally a functioning our friendly individual this might be troublesome from the outset however investing less energy in your room and additional time outside will most likely make your school experience better all around. Think of it as a Life Lesson Coexisting with individuals is something youll need to accomplish for an amazing remainder. While its impossible that youll need to live with somebody you dont like once youre out of school, figuring out how to manage a troublesome individual without consistent clash is an aptitude that will work well for you for a considerable length of time to come. Its additionally critical to realize when to cut your misfortunes. In the event that the difficult you have with a flat mate includes them tormenting, bugging or in any case legitimately meddling with your life then its opportunity to move from strategy to definitive activity. Never endeavor to follow up on the issue yourself. Quickly enroll the assistance of your RA or other quarters head to deal with it. Regularly issues with a flat mate dont raise to that point and figuring out how to deal with troublesome individuals can be a significant expertise later on. Figuring out how to manage a troublesome flat mate in school can without much of a stretch sharpen discretionary aptitudes that will permit you to withstand even the most infuriating work partner later on. Managing a troublesome flat mate is a ton like managing troublesome relatives †you dont get the opportunity to pick them yet you do need to endure them. Fortunately for you, the time youll go through with a flat mate will reach a conclusion in the long run however those vexatious relatives will even now turn in the mood for Thanksgiving at Aunt Doras. How have you tackled flat mate issues before? Offer your recommendation!

Ask Most Americans Who Jean-Paul Sartre Is And You Will Most Likely Ge

Ask most Americans who Jean-Paul Sartre is and you will doubtlessly get a grimaced look. As indicated by writer, Richard Eyre, in this nation, Sartre is maybe as unfashionable as nut case pants. That is to some extent since Sartre, but an extraordinary French thinker, didn't have a banner status. Sartre was not an especially appealing man and in spite of the fact that he was the sweetheart of the 60's in the entirety of Europe, his channel, glasses and a quality of awful temper kept him off dividers that commended the Brigitte Bardots and the James Deans. Besides, Sartre was not constantly a simple man to comprehend. His works are not especially whimsical and he doesn't really mind to draw in the peruser by painting lovely pictures of life or of an idealistic culture. He draws in the peruser by making him think ? consider his reality, his purpose behind being, his opportunity and his commitments. In the event that anything, Sartre's books and plays are strong and intriguing on the grounds that they are loaded up with allegories and sheer boldness. They are liberal with spirits and quite often contain a message. Sartre was not sly, deigning or pompous, he has constantly kept up that his crowd was allowed to see him and his work as they saw fit ? Basically, he had thoughts and he conveyed them. Sartre was an existentialist - He accepted that: To begin with, man exists Turns up, shows up on the scene, What's more, just a while later, characterizes himself. What does everything mean? It implies that Sartre was an examiner just as an onlooker. He was concerned was with: - How we live and why we live He was likewise worried about: - Our air to sidestep duty and to mislead ourselves He accepted that: - Human opportunity didn't lie in the impudence or intensity of our activities however in the duty we took for them Sartre kicked the bucket twenty years prior at age seventy-five. Right now, he is accepting a ton consideration and press due for the most part to the way that popular French writer, Bernard-Henry L?vy has composed a fairly disputable book about Sartre's life. Likewise, I was enchanted to have discovered an article in the December issue of Talk Magazine about Sartre ? it isn't just proper however convenient since I am composing a paper about Sartre and his artistic commitments. I resemble the possibility that Sartre may get well known in America ? that his name will not, at this point sound so arcane or elusive. I am happy to see that Sartre isn't overlooked and that considerably after his passing, he is being commended for his works, his valiant situations on the Algerian and Vietnam wars, his work in the interest of the persecuted, his position against socialism and his gutsy appearances at understudy exhibits in Paris. At age 13, I read my first play by Sartre called Huis Clos (No Exit) ? it interested me. It was about a philosophical game, which recounted to the account of an insidious lesbian, a ruined society lady and an apprehensive columnist who wound up caught in Hell. They were held hostage in a solitary room in which they interminably tormented each other with the attention to their daydreams and their disappointments as individuals. At long last, they went to the acknowledgment that there was no requirement for intensely hot blazes. Hellfire was - others! In spite of the fact that Sartre implied that damnation was others, he likewise implied that at last our personalities couldn't withstand or bear the nearness of another inner self. I proceeded to peruse numerous different plays and two books by Sartre yet I have never needed to contemplate or investigate him or his works. I was amazed to discover that: - He never wedded his long time companion and rationalist Simone de Beauvoir, with whom he later established a quarterly diary/paper. - They had an open relationship during which time, they had other undertakings. - He had a received girl. - He was hostile to average - He dismissed Nobel Prize for writing just because.....he felt the entire issue was excessively middle class. - He was an individual from the French armed force and was caught by the Germans during world war II and repatriated a year later Albeit a great many people partner him with the existentialist development, Sartre is likewise an author, writer, dramatist, biographer, savant, and political scholarly and drew in dissident. Sartre is, truth be told, one of

Major Update Sort Images with Folders Tags

This week, Lucidpress has rolled out a major update to its image manager for all users. Now, grouping and sorting your images in Lucidpress will be easier and more convenient than ever before. Here's a peak at the new image manager and how it improves your online design experience. Related: New feature—Review & approve documents with Lucidpress Sorting images with folders Previously, all images uploaded to Lucidpress were stored in the image manager in the order they were uploaded, starting with the most recent first. Users could tag their photos, then search for tags in the image manager. This system was sufficient for users who only needed a few images for a few documents. But as our user base grew across schools, homes and businesses, so did the need for more robust image management. Enter folders. (Please, hold your applause.) Now you can move your photos into folders right inside the image manager. This makes it easy to organize photos into groups and find any particular photo more quickly and efficiently. If you're worried about losing all your carefully considered tags, don't be. Tags are still supported and easily searchable, so you can feel free to tag away. You can also use the new Sort menu to display images in a variety of ways: date added, keyword, title and more. Sending images to the trash No one likes a cluttered image library. In the past, deleting a photo from the image manager would remove it from Lucidpress altogether. And while this made your image library look cleaner, there were sometimes... repercussions. For example, if you owned any shared documents that contained the image, deleting it would remove the image from the document—for everyone. No bueno. To prevent accidents like this one, we've added a trash can to the image manager. Now, when you delete a photo, it goes into your trash but doesn't disappear from Lucidpress altogether. Think of it as... picture purgatory. If, for whatever reason, you decide you need that picture after all, simply restore it to put it back in your library. Or, empty the trash to send all those unnecessary pixels into the ether. A gorgeously updated UI Not only did we add new functionality to the image manager, we also overhauled the interface and updated its look. We hope you enjoy the improved image layout in your library, as well as updated menus that make it easier to find what you want. On the left side, you'll see one-click integrations with Google Drive, Dropbox and Facebook, so it's easier than ever to import your favorite photos from other services. You'll also see easy access to image search tools like Bing Images and Icon Finder. With all these options at your fingertips, you'll never have a hard time finding the perfect image for your document—and unlike Canva, there are no pesky micro-transactions along the way. (Sorry, Canva, but we had to...) Speaking of updated UIs, did you notice the new option bar? We've shuffled a few elements around to make design and editing in your browser the best experience possible. Take a moment to look around and familiarize yourself with new shape controls and advanced text options. These changes make Lucidpress more intuitive and will help speed up the design process. Key takeaways So, what's changed with our new image manager? Let's recap this week's improvements: You can group images into folders You can tag, sort & search your photos Archived photos go into the trash, where you can restore or permanently delete them Improved UI appearance & functionality Easy access to import services Free image search tools If you haven't created a document in Lucidpress for a while, now is an excellent time to jump back in and see what's new. We hope you enjoy the changes, and we're excited to continue improving your design experience in Lucidpress. Ready to give the new Lucidpress a spin? Simply sign up for a free account and start designing gorgeous visual content today.

Graduation Speech Individual Education Narrative Essay

Individual Education Narrative â€Å"Go to school and learn, or else you will not be successful†. This is a well-established proclamation in my family; dating backing several years. At an early age my mother often stressed to my sister and I, the importance of grades and background of superb report cards in the family. So I viewed school as a twelve-year job interview rather than a learning institution where I could academically and mentally grow. Over the years I experienced most of my personal growth outside of school but my life in education taught me several tips on how to be successful in our current school system. I could craft a mile-long list of the differences between my experiences in the different levels of education, but there is a single prevailing objective found in all of my schools; obtain excellent grades in order to be shipped off to the next level of education. So I am going breakdown how I became truly proficient in the game of school by my experiences in e lementary, middle and high school. In elementary school I was not yet accustomed to following the rules of school. I loathed the mundane class and loved the concept of interacting with so many different people during recess. This is where I began my personal growth via learning about other’s cultures and norms. The worst part of elementary school is that I did not learn these same ideas in class. In the book The Game of School, Robert Fried explains that much of the learning in our classrooms isShow MoreRelatedMaya Angelou s Graduation Day1038 Words   |  5 Pagesgeneral chain of command. It is the power within the words that lends significance to the inspirational speeches and songs held so dearly in the hearts of many. Due to their significant daily presence, words hold an immense power. 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According to the Greenleaf Center for Servant Leadership, a servant leader is one who â€Å"enriches the lives of individuals, builds better organizations and ultimately creates a more just and caring world (What is Servant Leadership? n.d.). When one looks at the lives of Martin Luther King, Jr. and Ronald Reagan, there may not be a strong correlation between the CivilRead MoreSpeech to Inform8146 Words   |  33 PagesSpeech To Inform Speech to inform:Euro-2012 In April 2007, Ukraine and Poland were named co-hosts for Euro 2012 tournament. This joint bid, taking into account Ukraines tough economic condition and administration problems, has become a headache for UEFA President Michel Platini. The matches will be staged at eight venues, divided between the co-host countries. Ukraine is behind the schedule, having problems with modernization of airports, roads, and rail networks. As a co-host country, Poland seemsRead MoreThe Dilemma Of Campus Sexual Assault1838 Words   |  8 PagesHsu Myat Noe Writing 150 (64780) Spring 2016 Writing Project 1 Accuracy or Advocacy: The Dilemma of Campus Sexual Assault A young woman carried a 50-pound mattress onto the stage at a graduation ceremony in Columbia University. Known as the â€Å"Mattress Performance (Carry That Weight)†, Emma Sulkowicz started carrying the mattress everywhere she went on campus in an attempt to expel a classmate who was found not responsible for sexually assaulting her (LATimes). She became an instant media sensationRead MoreRacial Bias as a Basis for Discrimination Essay2689 Words   |  11 Pageslike he needed to prove something to the world. Ellison’s grandfather was a slave and both of his mothers parents were sharecroppers in their time. The Ellison family was persistent to give their sons an education that was diverse as well as a significant amount for them to be successful individuals. Once his father passed away in 1916 the family was left with a meager amount of financial support. His mother worked as a domestic and his entire family had to move to a small area that was above a church

Plato s Allegory Of The Cave And The Gospel Of Matthew s...

Two distinct texts that may seem at odds when superficially compared, hinge on shared foundational values. Course study and personal analysis of Plato’s â€Å"Allegory of the Cave† and the Gospel of Matthew’s Sermon on the Mount indicate both appeal against ignorance and warn against egotistic behavior. Both texts take a tactful and thoughtful examination of man’s inability to comfortably, consistently, and effectively look beyond their individual selves as the key figures in a normalized and standardized society. Telling here is Plato scholar Allan Bloom and his belief that: â€Å"The modernist historical consciousness has engendered a general skepticism about the truth of all â€Å"world views† except for that one of which it is itself a product (Bloom†¦show more content†¦In fact, what Plato seems most settled upon is the notion that the sensory realm amounts to no more than an illusion of substance and definition—that instead wh at we see and feel only mimics reality. Plato is clear that not all men are prepared to decline the comfort provided by ignorance to invite the unknown. He does not â€Å"present a doctrine† as much as he â€Å"prepares the way for philosophizing† (Bloom XXI). It requires man to adopt an outlook perpetually critical of seemingly objective experiences and knowledge. Doing so, according to the â€Å"Allegory† means questioning your peers’ reality and willingly declining the comfort of simplicity and familiarly for the ability to experience reality through thought. It means ditching the safety of the cave’s darkness for the chance to experience the brilliance of the sun—Plato’s message is clear: reality and reason are most real when man is critical of what he’s established to be objective fact. One strong example from the text is when is when the prisoner’s eye witness freedom: â€Å"And if he compelled him to look at the light itself what his eyes hurt him but h e fully turning away to those things that

Donatellos Bronze David Essay Example For Students

Donatellos Bronze David Essay Thesis: Donatello was one of the most important fifteenth century masters whose bronze David is an enigma that is unlike Donatellos other works in its different style, and unknown time of origin. Donatello was a gifted sculptor who lived in the fifteenth century and had a great impact on not only the Italian Renaissance, but also on the future of art in general. He was an innovator in his time and his sphere of influence enveloped all those around him. Donatello was one of the most important fifteenth century masters whose bronze David is an enigma that is unlike Donatellos other works in its different style, and unknown time of origin. First, Donatellos talents and credentials will be discussed. Secondly, points about Donatellos classical style in the sculpting of David and other artists thoughts about its classical style will be gone over. Next, the different thoughts on the time of Davids creation will be discussed. Lastly, the main ideas will be summarized and brought to a conclusion. Donatello has earned his place in history. Donatello was not only one of the most important artists in the fifteenth century, but also one of the most brilliant and representative figures of the Italian Renaissance for he gave visible formà ¢Ã¢â€š ¬Ã‚ ¦to the intellectual aspirations and achievements of his epoch Cruttwell 2. Not only was he a great sculptor, but also a leader of the artistic movement of the time. He was equally gifted in the elements of the antique and of modern sentiment, able to blend them seamlessly in his work. He also had the appreciation of external life peculiar to the Greek and Roman civilizations, with its robust self-reliance and enjoyment of sensuous emotions, and the comprehension of, and respect for, the inner workings of the soul, inherited from the severe, often morbid, self-analysis of medieval Christianity Cruttwell 3. Donatello was able to work with any medium. He cast sculptures in bronze, clay, and marble with the same genius. Donatello was able to do with his sculpture, as the humanists were able to do with their pen. Donatello was not limited in the way some other artists of the time were. The reasons he is so important to history of Italian art is because of his originality of conception, his sudden and complete breakage with tradition, and his technical innovations Cruttwell 3. Donatello could work on his own. He did not need to work off the premises set by others. His independence and skill were what made him a chief and pioneer of Italian art. Both the Florentine schools of painting and sculpture were dominated by Donatello. The reason Donatellos influence was so strong was because he visualized with his own eyes, conceived with absolute independence, and executed with methods equally original and free from prescribed rules Cruttwell 2. This independence was something new in the time of Donatello and allowed Donatello to dominate and to leave his mark for years to come. Cruttwell had this to say of Donatellos lasting effect on the art world: So completely Donatellesque did Italian art become that it is impossible to conceive what direction it would have taken without his overwhelming influenceà ¢Ã¢â€š ¬Ã‚ ¦and that every great Master of our own day consciously or unconsciously based his art upon that of Donatello 3. That is because Donatello rapidly matured as an artist and was able to one of the first artists to be able to represent humanity as it exists with crude veracity, accentuating impartially its merits and defects. For him beauty and form had little interest Janson 80. Donatellos Campanile statues were expressively ugly and his St. Mark has an intellectual harshness to it Cruttwell 5. As an artist, Donatellos main interests seemed to lie in character and emotion. The David is destitute of both. Donatellos bronze David seems to stray away from Donatellos previous works in both its classical form and style. Donatello, while said to be a master of the nude, cared little to produce sculptures in the nude. However, when he sculpted David, he made David naked save for both extremities. .u8c0835f281decc45b72e4d69b0ed091c , .u8c0835f281decc45b72e4d69b0ed091c .postImageUrl , .u8c0835f281decc45b72e4d69b0ed091c .centered-text-area { min-height: 80px; position: relative; } .u8c0835f281decc45b72e4d69b0ed091c , .u8c0835f281decc45b72e4d69b0ed091c:hover , .u8c0835f281decc45b72e4d69b0ed091c:visited , .u8c0835f281decc45b72e4d69b0ed091c:active { border:0!important; } .u8c0835f281decc45b72e4d69b0ed091c .clearfix:after { content: ""; display: table; clear: both; } .u8c0835f281decc45b72e4d69b0ed091c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u8c0835f281decc45b72e4d69b0ed091c:active , .u8c0835f281decc45b72e4d69b0ed091c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u8c0835f281decc45b72e4d69b0ed091c .centered-text-area { width: 100%; position: relative ; } .u8c0835f281decc45b72e4d69b0ed091c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u8c0835f281decc45b72e4d69b0ed091c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u8c0835f281decc45b72e4d69b0ed091c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u8c0835f281decc45b72e4d69b0ed091c:hover .ctaButton { background-color: #34495E!important; } .u8c0835f281decc45b72e4d69b0ed091c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u8c0835f281decc45b72e4d69b0ed091c .u8c0835f281decc45b72e4d69b0ed091c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u8c0835f281decc45b72e4d69b0ed091c:after { content: ""; display: block; clear: both; } READ: Italian Renaissance: Earliest Form of the General EssayIt is at the extremities where Donatello begins to show his submission to classic influence Pope-Hennessy 150. A hint of romantic charm lies in the hat on Davids head. It is a broad-brimmed hat that is garlanded with bay leaves. This hat throws Davids face into deep shadow and seems to suggest the hot sun beating down on him and the simple life of a shepherd. The whole pose of David is inert and tame, not threatening at all, despite the severed head beneath his foot. David himself seems to be modeled after a boy who developed his stomach more than his muscles Grassi 72. Even though David has been captured after the act of slaying Goliath, visually, he hardly seems strong enough to lift the sword. Davids whole body is puffy and his toes are bent as if the shoes are putting pressure on them. And even though he is holding the sword that severed Goliaths head, his hand is limp and shows no grip. David stands on a circular garland with one foot on Goliaths helmeted severed head. The helmet itself is interesting in that on it is a scene representing Cupid and Psysche drawn in a chariot by the Loves Janson 87. One scholar stated that David is influence of antiquity in general terms Janson 86. Another scholar thinks that the classical style of Donatellos David influenced Ghibertis statuette of Samson. Ghibertis Samson has the same lithe body position of David, which is odd since Samson was the Hercules of the Old Testament. The position of Samsons legs is also similar to that of Davids, and both of the figures right hips are thrust out. Also, both David and Samsons bodies were done in the same fluid modeling style that added a look of detailed realism to them. Vasario said that Donatellos David is a sculpture whose figure is so natural in its vivacity, and in the softness of the flesh, that it seems to the artificers as though it must be cast from life Cruttwell 84. At the time, Donatello was a more of a modern artist, but his David is classical when it comes to style. Cruttwell says that my own impression is that it was executed soon after the Roman visit, since it shows, in spite of certain realisms in the treatment, a strong impression of antique sculpture 83. David is unlike most of Donatellos works for that exact reason. If his works are examined, David stands out simply for its classical style, which was not Donatellos usual style of sculpting. However, while most scholars agree that David was created in a classical style, what most scholars do not agree on is the exact time Donatello cast David. David has always been hard to put into the chronology of Donatellos work. Some, like Milanesi 1854 and Kauffmann 1935 think it was done after Donatellos stay in Padua. Others, like Jensen, Cruttwell, and Grassi, believe Donatello sculpted David in the early 1430s. That seems to be the most logical time, for there are many similarities between David and S. Croce Tabernacle, another of Donatellos works that was executed in the early 1430s. There are many powerful similarities in the ornamental repertory between David and the S. Croce Tabernacle. One would be the sharply defined scales or feathers that are all over the pilasters of the Tabernacle can be found on the sword in Davids hand and on the neck guard of Goliaths helmet. Another would be that the scroll-and-palmetto ornament that can be found on the angels sleeves in the Tabernacle can also be seen on the upper part of Davids boots. If one was to look at the ornamental compartments of Goliaths helmet and on the area of Davids boots below the knee, they would find tendrils that are almost identical to those found on the background paneling and brackets of the S. Croce Tabernacle. In addition to the tendrils, the short, vertical flutings that can be found on the open-toed edge of Davids sandal and on the neckguard of Goliaths helmet can also be found on the carved base of the Tabernacle and on the Virgins mantle and sandals. .u2c0208f938f43f315eb2d5e9b0ff3018 , .u2c0208f938f43f315eb2d5e9b0ff3018 .postImageUrl , .u2c0208f938f43f315eb2d5e9b0ff3018 .centered-text-area { min-height: 80px; position: relative; } .u2c0208f938f43f315eb2d5e9b0ff3018 , .u2c0208f938f43f315eb2d5e9b0ff3018:hover , .u2c0208f938f43f315eb2d5e9b0ff3018:visited , .u2c0208f938f43f315eb2d5e9b0ff3018:active { border:0!important; } .u2c0208f938f43f315eb2d5e9b0ff3018 .clearfix:after { content: ""; display: table; clear: both; } .u2c0208f938f43f315eb2d5e9b0ff3018 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2c0208f938f43f315eb2d5e9b0ff3018:active , .u2c0208f938f43f315eb2d5e9b0ff3018:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2c0208f938f43f315eb2d5e9b0ff3018 .centered-text-area { width: 100%; position: relative ; } .u2c0208f938f43f315eb2d5e9b0ff3018 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2c0208f938f43f315eb2d5e9b0ff3018 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2c0208f938f43f315eb2d5e9b0ff3018 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2c0208f938f43f315eb2d5e9b0ff3018:hover .ctaButton { background-color: #34495E!important; } .u2c0208f938f43f315eb2d5e9b0ff3018 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2c0208f938f43f315eb2d5e9b0ff3018 .u2c0208f938f43f315eb2d5e9b0ff3018-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2c0208f938f43f315eb2d5e9b0ff3018:after { content: ""; display: block; clear: both; } READ: Walking Henry David Thoreau EssayAlso, the winged wreath in the Tabernacle is very similar to the garland and wings of David, though the wings are attached to Goliaths helmet and not to the garland Janson 84. However, it is not just ornamentation that is similar between David and the Tabernacle. Both David and the S. Croce Tabernacle share the same classicist style. This is not only true in ornamentation, but also in the form of David and of the Virgin and Angels on the Tabernacle. Janson says that by making an allowance for differences in technique and style, the same facial structure exists in both David and Mary and the Angels Janson 78. David also bears stylistic similarities to the mourning angels of the Brancacci Tomb, which was done by Michelozzo, who was strongly influenced by Donatello . If one accepts the evidence presented, then there is little doubt that David belongs to the same idealistic and lyrical phase that begins with the Ghibertesque Siena Virtues and continues with the Siena putti and the S. Croce TabernacleGrassi 73. And if David does belong to this phase of Donatellos work, then it would best into the very early 1930s. Throughout his life, Donatello produced a plethora of work, almost all of it having some significance to the art world. He made an impact on art that has lasted all the way to the twentieth century. There is no doubt that Donatello was one of the most prolific artists of the Renaissance and his bronze David, because of its style and origin controversy, one of his most puzzled over pieces.

Pepsi Print Ad Analysis free essay sample

Although Coca Cola justified it by saying that its competitors had similar levels of acidity content, it launched a public campaign regarding quality control to target the quality and health conscious and maintain their position in the market with a â€Å"safe† drink. The Ad line at the bottom of the Print Ad, â€Å"Ask it for either way both trademarks mean the same† is to inform the public that both the names are the same drink. Coke was the initial name, and it was rebranded as Coca Cola.But there was always a threat of brand diminishment, and also lack of response towards Coca Cola. Coke had already established itself in the market, and the fall in the market presence of the brand ‘Coke’ and the increased presence of the brand ‘Coca Cola’ would create an uncertainty about the sales of the product. Therefore such an ad campaign was essential to inform the consumers, so that they wouldn’t differentiate between the two brands and relished Coca Cola the way they relished Coke. We will write a custom essay sample on Pepsi Print Ad Analysis or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Analysis of the Images The images depict the production line of Coca Cola, where finished products of Coke are shown in line. This is to depict that Coke takes all the necessary measures to maintain high quality in its products, and that the quality of all the bottles that it produces is the same and does not differ from one another. The bottles also use the name Coca Cola and not Coke, thereby promoting the new brand.

Organizational Change Essays

Organizational Change Essays Organizational Change Paper Organizational Change Paper Organizational Change Slide 1 Organizational change is a process that is geared towards the pursuit of becoming better. These changes can be brought about by different factors. To fully grasp organizational change, it is a structural method that involves change in both process and concept. Change at the process level refers to the procedural shift in achieving the desired outcome, while change in content refers to the descriptions of the changes that an organization has actually undertook (Barnet Carroll, 1995). Nine Reason’s for Organizational Change Slide 2 The need for change can be brought about by different reasons. Robert W. Swaim in his article suggested nine reasons organizations need to change. The first reasons is crisis, this can come in different form: political, social, financial, religious and the like. Second to the line is Performance Gap, this happens when the vision mission and goals of an organization is not met, then the need to do organizational change is vital. Third reason is New Technology, the advance of new technology which brings positive impact to the company can be a great reason for change. Fourth reason is Identification to Opportunities, competition in the field can bring about the need to undergo organizational change. Fifth reason is Reaction to External and Internal Pressures, management and employees can impact internal change, while clientele, competition, change in government regulations, shareholders, financial market and the like are examples of external pressure. Sixth reason is Mergers and Acquisitions, when organizations are merged or an organization is acquired or reacquired, then the need to revamp the process and content is helpful for the company. Seventh reason is Change for the Sake of Change, administration turnover can cause organizational change. New administration would most likely want to prove something and so they change for the sake of change. Eight reason happens when new engineering fads bloom and the company think it sounds good and so they implement the change. The ninth reason is Planned Abandonment, this happens when an organization abandon products, market, resources, in exchange to new opportunities (Swaim, 2011). Many nursing homes still uses paper charting and papers are prone from getting burn and risk of being read by any unauthorized individuals. Due to the fact that the process of electronic charting has started, other nursing home will have to re-evaluate their mission and vision in order to move toward change. Using computers at work allows nurses to do their job efficiently and safely. Many patients and their families are gearing towards the advancement of new technology to be able to deliver safe and effective health care. Identification of opportunities brings competition to the market which allow patients to better options. The health care government and patients can also put pressure to healthcare organizations to improve their services. The desire for change can impact the lives of many patients which are always re-evaluated for its effectiveness. New administrators can facilitate this change at any time they want with stakeholders in mind. New opportunities arise causing better health services and new creating technology to change the way health care system work. Statistic of EMR Use Slide 3 The table presents the data from Center for Disease Control and Prevention (CDC) in the United States. It reflects the trends in percentages of office-based physician with EMR/EHR systems from 2001-2012. In the 2012 survey, 10,302 physicians participated in the survey. It can be gleaned on the graph that a decline in the use of EMR/HER is observable since two years from 2011. This decline can be attributed to the lack of knowledge and training in the use of the system. However, EMR/HER system has gone up higher starting the year 2004 to present. It can be observed from the graph that from 2011-2012 has the highest percentage compared to the rest of the year gaining roughly about 14. 8 percent from 57% t0 71. 8 % (Hsiao, 2012). Advantages of EMR Slide 4 As America’s hospitals venture farther into the electronics age, nurses are beginning to recognize the benefits the Electronic Medical Record (EMR) provides both to their patients and their profession (Orlovsky, 2005). It provides fewer medicals errors by reminding the staff when the next medication is due, better patient plan of care, and improved patient safety such as falls and pressure sores (Furukawa et. al. , 2011). Electronic medical records can also improve quality care for patients due to accessibility of the whole interdisciplinary team for faster delivery of health care service (Furukawa et. al. , 2011). Paper records increases risk being burned and submerged into water.

Public Argument Essay Example | Topics and Well Written Essays - 1000 words

Public Argument - Essay Example On the other hand Celie perseveres mistreatment, first by her step father, Fonso and later Albert. The theme of how the oppressed can redeem themselves through unity is well depicted in the film. This is shown when Celie and Sophia put away their differences and become fast friends. Celie goes to an extent of nursing Sophia’s wounds when she is arrested. In addition, this is a feminist movie. It is about a lady finding out who she really is and the value she has and will always have. In the south, Celie endured the patriarchal culture which during her search for truth, she realizes is abusive to a woman. At the beginning, she thought that wife battering is a normal thing. That is why she even advises Harpo to regularly beat Sophia. She even doesn’t deny it when Sophia questions her about it. She later learns that women are equal to men in virtually everything, including knowledge, power and finance, when she escapes from Albert after meeting Shug. When she returns in Ge orgia, at the end of the film, she is a very independent not a submissive and weak lady she used to be. Celie being one of the major female characters in the film, she has a variety of character traits that make the play more appealing and make expression of the themes easy. The ability to love unconditionally, to endure and strength are the three major attributes that make up Celie’s personality. ... This abuse don’t change her from being gentle and caring In various instances in the film Celie considers others first before she considers herself. This is an act of loving others more that she ever loves herself. She takes abuse from Fonso in order to save Nettie and her mother from his cruelty. When she realizes that Nettie might be forced to marry Albert, she marries him to protect her from that. In addition she allows Nettie to move away from the farm, knowing very well that she is the only family and friend she has ever had. This is because she believes that this would protect Nettie from him. In spite of all the difficult circumstances that Celie finds herself in, she survives due to her endurance. She is not only able to put up with uncertainty of Shug’s love, but also to withstand sexual abuse of Fonso, poverty, prejudice, miscarriages, Albert’s cruelty, and loss of Nettie. She is known to love unconditionally. She loves Shug even before meeting her and she is very happy when she realizes that Shug loves her back. Even if Shug doesn’t always treat hers well, she still loves her. When Shug goes away, she decorates a house for her and paints it with purple color and preserves it in hope that she will once return. She also has steadfast love for Sofia. When she is arrested, Celie helps in caring for her wounds, visits her often and encourage her to make her feel better (Klein 91). The movie had a great impact in my life. First of all it provided me with the insight into how life was in the south then, where women were oppressed, men were very abusive and a society that was very judgmental. Although it is an interesting film, it is very emotional film. The various mistreatments that the various female characters go through in the film drove me into

The Prohibition of Horizontal Direct Effect of Directives Essay

The Prohibition of Horizontal Direct Effect of Directives - Essay Example In order to fully implement its policies, pieces of legislation are enacted by the European Parliament, European Commission and the Council of the European Union. On the other hand, the European Court of Justice plays an important role in the interpretation of European Union laws which consist of treaties, regulations and directives among others. Its interpretation aids the member states in the proper implementation of the European Union laws. In its case law, the European Court of Justice has introduced the principle of direct effect of European Union laws in the member states. The principle of direct effect was designed to ensure the effectiveness of the European laws, enabling the citizens to use it before their respective national courts. Correspondingly, the doctrine of direct effect have a substantial effect on the legal systems of the member states, because it paved the way for individuals to enforce rights which originates from community legislation before their national courts. And as such, the principle has become a distinctive aspect of the European Union. The landmark case of Van Gend and Loos v. ... ven though the treaty did not state that it was directly effective, it was in consonance with the nature of the treaty that the provision on the abolition of custom duties should be directly effective. Significantly, the court enumerated the guidelines for establishing direct effect to wit: The provision must be sufficiently clear and precisely stated, it must be unconditional or non-dependent and provision must confer a specific right for the citizen to base his or her claim (Van Gend and Loos v. Netherlands Inland Revenue Administration, 1963). Conformity with the aforementioned guidelines will enable European citizens to enforce their rights and to rely directly on the provisions of Community law before their national courts. Similarly, the court states that the direct effect confers the company a direct assurance of its rights under Community law before its national courts. The principle of direct effect goes after the principle of primacy of community laws developed by the Europ ean Court of Justice in the case of Costa v. ENEL. In the case of Costa v. ENEL, (1964) the court likewise pointed out in paragraph seven of the case, that a member state's obligation under the European Economic Community Treaty, in the execution, effect or adoption of any measures either by States or by Commission is legally complete and consequently producing direct effects on the relations between member states and individuals. Correspondingly, it becomes an integral part of the legal system of the member state, and as such, national courts are duty bound to protect it. The principle of direct effect, basically deals with the enforceability of European Union laws by citizens of member states. The Doctrine of Direct effect can be classified into two. The vertical direct effect and the

Medea and the Myth of Feminism Essay Example for Free

Medea and the Myth of Feminism Essay Medea the Myth of Feminism It is only males who are created directly by the gods and are given souls it is only men who are complete human beings and can hope for ultimate fulfillment; the best a woman can hope for is to become a man (Plato 90e). Euripides Medea was written in a time where even the word feminism did not exist and yet he gave Medea a role of substance and a stature of strength. It is a wonder whether or not Euripides knew Just how much power he put into the hands of this woman as well as many more in the creation of her character. Perhaps not in his time and perhaps not y intention, but since then Medea the play and Medea the woman have filled a symbolic role in the area of feminism, the debate being for or against it. In countless cultures and streams of media, the woman stands timeless. What this paper intends to explore is the levels of the performance and how they stack up to the idea of feminism by framing Euripides possible intent, understanding various audience response to various productions, and finally studying Medea herself to see whether her roots of vengeance are in feminism or rather immorality. At the beginning of our quest we find the author, alive at a time in which ancient Greece was overwhelmingly patriarchal, but where did Euripides find himself? Is it possible to suspect that he may have allied himself among other voices which held sympathy for the plight of women? Could he have been the model of a proto-feminist or was he a misogynist? In either case, Medea seems to be the place to look. While pursuing her ambition, Medea disregards many of the feminine characteristics of the patriarchal Greek society. She questions the inequality of women, contradicts Jasons chauvinist beliefs, challenges the stereotype that women are weak and passive and ltimately completely disregards the feminine role of motherhood. Euripides portrays a woman who completely subverts feminine norms, overcomes masculine bonds and, given that his depiction of Medea was highly influential and replicated to some extent by most later authors, the Medea viewed as a figure of feminine power in modernity is at least in part dependent on Euripides (Mastronarde 52). Honing in on the text, one might examine Medeas opening speech, a fine feminist harangue (Hadas 81), showing that, Medea has been treated unjustly by men, and her eloquent indictment of womens lot is never denied (Foley 265). This speech is the first introduction to Medea as a strong and independent woman, but the words are not hers alone. These lines have sometimes been seen as Euripides bitter reflections on his own isolation as an advanced and intellectual poet. There is much truth in this view, but the lines are also Medeas, the complaint of a woman of great intellectual capacity who finds herself excluded from the spheres of power and action (Knox 314). It is this exclusion that leads her to the inexcusable action of killing her children, or is it so inexcusable? When focusing on Euripides intent one might see that: Euripides made Medea herselt choose to murder ner chi Idren as the hurtful part of her revenge against Jason. It perhaps sounds at first as if this might tell in favor of the idea that Euripides was hostile to women. But in fact it turns out to have quite the opposite result, because of the way Euripides treats his material Euripides has created this new Medea who chooses to kill her own children. He condemnation the murderous deed: shows us with painful insight and utterly without mind of the woman who has the ability to do such a the torment before the final decision, the ultimate grief, and, here in he final scene, the inevitable results. Medea is now finally untouched, untouchable by human hands and by human emotions (March 35-36; 43). By this evidence it would appear that Euripides has molded a woman for women. Unfortunately, while the presentation of this piece could certainly cause a discomfort among male audience members, it equally might encourage greater suspicion and scorn by males of females. Euripides Medea questioned prevailing norms and beliefs, primarily those of the heroic masculine ethic, though perhaps at the expense of women, and not in their support. The meaning of Euripides words cannot be eciphered simply by picking and choosing sections of the play to analyze. To understand his intent there is the need to understand the totality of the narrative as well as the audience he wrote for. Playing to a primarily male audience, Euripides does not introduce Medea immediately but has the chorus and nurse tell of her first, giving the audience a misconception of Just how much power the woman holds. In fact supported by Medeas cries of anguish heard offstage she is first represented as emotional and submissive. By Euripides authorial intent, he lulls the audience into a state of pity here there should be fear. Skillfully contrived is the choral passage in which we first hear the agonized voice of Medea from offstage. If we had been prepared to see a woman of monstrous power and witchery, a being of preternatural passion and resource, we are deceived (Musurillo 54). Medea is first painted as nothing other than what you would expect of a woman, a merit of pity though not empathy, however when first seen she shifts to reasonable and calculating. Returning to analyis of her first speech, one can more deeply apply what she is saying to her situation. Her eloquent first speech on the wrongs of women deceptively applies only in part to herself. For Medea is far from the passive victim of marriage and masculine brutality that she claims to be (McDermott 259). Within the world of the play Medeas deception makes sense in winning the approval of the chorus, however to spectators the mismatch of her words to her situation carries a different meaning. It paints a new picture and a new woman who is willing to exaggerate and lie in order to achieve her goals. It becomes clearer as the play progresses that Euripides initial ortrayal of Medea serves as a baseboard for growth from helpless to dangerous, parallel to the audience reaction as it stems from pity to loathing. An ancient Athenian audience would have found little to no fault in Jasons actions, by a public standard, Jason satisfied his marital obligation toward Medea and returned favor for favor by bringing her to Greece (Walsh 295). This leaves it to Medeas character to be the cause of any unsettlement. Her ultimate action of killing her children, makes her most territying, tor sne is not a victim and not vulnerable†that is, not teminine†yet he has been identified as and with other women (Rabinowitz 132). With this information, only fear is struck by Medea in the name of women. Regardless of Euripides intent, proto-feminist, misogynist, or most likely of all neither, his audience rests at the wrathful hands of a powerful woman, but empathy is unlikely. It is important however, to take into account various audiences beyond simply that of Euripides time. A present audience interprets a performance of Medea much differently than ancient Greeks would have and there are countless Medea inspired adaptations which ancient Greeks never had the chance to experience. It is these productions and these audiences that are next to be studied on the road to feminism. To approach from another end of the spectrum, a drastically different style of performance than that of western culture may be studied. Carol Sorgenfrei provides this with her 1975 work, Medea: A Noh Cycle Based on the Greek Myth. Noh theatre, like many traditional Japanese theatre forms, prioritizes stylization above realism in performance, a practice that aligns well with a myth of murder and revenge. The stylization draws away from the brutal acts, allowing the audience a chance to accept Medea for her motives instead of unquestionably condemning her. By adhering to the structure of Noh, Sorgenfrei creates a world where time, place, and gender are transcended in favor of larger-than-life emotions and issues (Edelson 1). It is also worthy of note to state that Noh theatre is an all-male performance style (as it would have been in ancient Greece as well). One might take it upon themselves to understand by this knowledge that the theatre form is inherently sexist, yet, since the 1960 s, theater practitioners have drawn on these traditional forms to rediscover feminine and feminist messages (2). Furthermore the stylization and art that go into the intricacies of embodying a female are no Joke within the ritualistic practice. As denoted in the title, Sorgenfreis piece is a cycle play referring to the five different plays that would be performed in a traditional Noh performance. These plays are thematically based, in the order of God, Warrior, Woman, Frenzy, and Demon. Drawing inspiration from Noh style, Sorgenfreis Medea, develops the Medea myth through her plays five scenes, which progress through the different traditional categories despite the thematic linkage (2). As for the audience of this particular performance, it is no surprise that not only is it drastically different than that of Euripides and ancient Greece but also vastly different than that of Zeamis and the fifteenth century (the roots of Noh theatre). Sorgenfrei writes very consciously for a feminist audience in 1975. This retelling of the Medea myth from a female point of view in a beautifully feminine style of Japanese theatre, despite its male performance history, allocates the piece among cultural feminism, praising what is feminine while still acknowledging the differences among men and women. Feminine, however, is not the same as feminist. For that title we might analyze Medea in the fourth scene, the frenzy play, where Medea gives birth to herself as the Sun God. In one sense, the birth metaphor is emblematic of the mother/daughter bond, but its glorification of motherhood also implies that a womans self-fulfillment can best be attained by fulfilling her biological capabilities (Dolan 30). Seeing as Medea is a mother to herself though, it would appear that Sorgenfreis intent is that, birth is a metaphor tor revealing ones true selt, becoming oneselt, independent ot a partner or arents. Not only does Sorgenfreis Medea serve as the antithesis to the glorification of motherhood, but she also subverts the concept of birth as something that can be successfully and independently accomplished without the aid of man (Edelson 6). If this transformation is not convincing enough, then the transformation of Jasons character in the final demon play certainly thrusts the play into feminism. At this point in the cycle play Jason and the children reveal themselves as demons and, by displacing Medea and focusing solely on Jasons (and the childrens) transformation n Demon Play, Sorgenfrei forces the viewer to explore the cause of Medeas suffering instead of only investigating the effect of her actions (7). The audience, throughout Sorgenfreis production, due to the stylization of noh performance as well as the cycle transformations, is able to question Medeas past and her motives instead of assuming the worst from the start. Sorgenfreis as well as many other variations of Medeas tale open the doors to inquiry for viewers. As performances vary, so does the message of femininity, but it really comes down to the character herself and the motivation behind her actions. If her strength is solely for the sake of revenge then women lose merit, however if she acts in defiance to a patriarchal society she is a voice for feminism. In studying the woman we might discover hints as to whether or not she, as a character, is a feminist. The obvious first argument is that feminism is not an option for Medea as a character. The time period in which she is set in the play and in which her character was created do not allow such a term. However, for the sake of this paper and staying true to the idea that characters never die, it is now assumed that she is still alive oday and thus feminism exists. Now, to discover whether Medea is a feminist or not it seems vital to set aside any notions of her being simply a victim of patriarchy. To see her only as such is to exclude very important aspects of her character which tie her to humanity. It is her darkness that is relatable and takes her beyond a pitiable subject to be observed. It is the independence throughout her struggles that makes her more than two dimensions. Medea is a compelling character. Through plays, films, operas, paintings and novels, we have heard her story told again and again and e remain fascinated by her. Our fascination is not without reason, for Medea brings us face to face with darkness that lurks within anyone and catastrophe that can befall any marriage. We watch and listen to her because she speaks to us of ourselves (Fuller 3). Her story is not uncommon, the betrayal of a spouse and the desire for revenge. This theme can be found reinterpreted within films such as War of the Roses and The First Wives Club. Both embody the spirit of Medea, the story of a woman who gives up everything for a man only to be left for a younger woman. So it s seen that the character lives and changes as time passes. What these film adaptations lack is the darkness that individualizes Medea and the accumulation of this darkness to the point of murdering her children. However, this theme too may be found in literature such as La Llarona and even in history such as the Andrea Yates trial. Its clear that Medea, even in her darkness, is an influence to art and to life, but another question rises in this darkness. By throwing her maternal nature aside does she also discredit the female race or does the strength it takes to murder ones own hildren become commendable? Motive is the question at hand and Medea does nerselt no tavors at tirst glance . The decision to murder ner children in return tor the joy she will receive in witnessing Jasons anguish gives Medea little respectability. It is precisely at this point, where rage and pain and revenge come together, that Medea creates a problem for feminism (5). She flaunts her immorality, showing no remorse whatsoever for her actions. While it is admirable of a woman to overcome her situation, Medeas display of heartlessness after the fact of murdering her hildren leaves her alone, independent, and selfish. On the other hand it is so difficult to grasp the understanding of killing a child and the action is so inconsistent with Medeas prior feminism. Her original revenge was upon Creon, Jason, and his bride. It is reasonable to consider based off this knowledge that Medeas hand was moved by the authorial intent of Euripides rather than by her own will. Perhaps this was essential though, perhaps with a loss of darkness comes a loss of complexity and then what need would there be to discover why this troubled woman acted as she did. There would be no question of her feminist nature because there would be no care. A last note on Medea herself, she is not human, at least not fully. She is a mythical creature who by the end of the tale is taken into the sky by a chariot. So, take into account the action that takes place within other greek myths, birth from Zeus thigh, rape by Zeus in the form of a swan (among other animals). By these mythological standards is child murder something that can be Judged by mankind? By keeping in mind that Medea has a part of the divine within her, her actions become less of an atrocity and more of a symbol. Seen in this light, that Medeas are not the acts of a literal person but rather are symbolic, the child murders then become more understandable (11). Her children too then become a symbol of her marriage which is destroyed and thus the children must be destroyed. Seldom do women, let alone feminists, act out so much as to murder their children over the betrayal of their husbands, but divorces and custody battles do not stray too far from it. Medeas actions, when taken literally, may be unforgivable by a feminist society, but symbolically she hits right on target. Children become the battleground for the arents rage and disappointment and most often they are the collateral damage in the marital wars (13). Medea lives on, struggles on with a voice unafraid to speak out against the wrongs done to her. This is the voice that feminists cling to while they avoid acknowledgement of the rash action of murder. When it comes down to it though, Medea is studied because she is relatable, darkness and all. In order for a woman to know herself, she must come to terms with her own capacity for darkness, rage, and power and this is what Medea has to offer. There has yet to be an adaptation in hich she experiences the same pain and anger without the result of destruction, but maybe that is the standing lesson. Medea continues to struggle because women continue to struggle and as women evolve so shall she as she has before. In order to stand for women, it is not essential to be a model woman, only to continue on in the struggle, to continue fighting, and so she does.

Democracy Essay -- Politics Voters Voting Essays

Democracy In the 2000 presidential election, less than 59% of our population saw fit to even vote. 80.5% of those voting were white, that's roughly 60% of the white population. Of the meager 19.5% of the vote the non-white population represented, less than 51% of non-whites able to vote actually did (Census). What does this mean? How can democracy – a republic like ours – correctly function without a more complete representation of opinion from its people? Former UCLA Law professor Julian Eule argued in his essay â€Å"Judicial Review of Direct Democracy† that the framers of our constitution set up the republic to in effect protect us from ourselves, to protect us from this sort of majority rule.(Eule) I believe that this misrepresentation is responsible for racist legislation and legislators. A recent NAACP resolution stated "The American people deserve political leaders who make clear, concise and well-reasoned decisions based on fact and clearly informed by all people involved, not leaders that perpetuate erroneous assumptions and ill-informed deductions based on racial and ethnic stereotypes," in reference to North Carolina Representative Howard Coble's remarks supporting former president Roosevelt's internment of the Japanese during World War II. (NAACP) The japanese internment has long been a dark blot on American history, but this legislator, this elected legislator seems to not represent a majority opinion of the people he represents. As well, NAACP president Kweisi Mfume remarked "President Bush continues to nominate right-wing extremists to the federal bench," in reference to the proposed confirmation of Jeffrey S. Sutton as a 6th Circuit Appeals Court judge, a position that demands a truly neutral position. Jeffrey S. ... ... the Total Voting-Age Population, by Sex, Race, and Hispanic Origin, for States: November 2000 US Census Bureau 27 Feb. 2002 <http://www.census.gov/population/socdemo/voting/p20-542/tab04a.txt> Julian N. Eule, â€Å"Judicial Review of Direct Democracy, â€Å" 99 Yale Law Journal 1503 1990. Anti-Affirmative Action Proposition Passes In California CNN AllPolitics 6 Nov. 1996 <http://www.cnn.com/ALLPOLITICS/1996/news/9611/06/ballots. california.209/index.shtml> University of California Engineering Enrollment Rates (Undergraduate) Career Recruitment Media, Inc. 2003 <http://www.graduatingengineer.com/articles/minority/05- 01-01-t1.html> ACLU Says Expected White House Brief Opposing Minority Equality in College Admissions Shows Lack of Commitment to Racial Justice ACLU 15 Jan. 2003 <http://www.aclu.org/RacialEquality/RacialEquality.cfm?ID= 11620&c=134>

A Summary of John Irving’s ‘A Widow For One Year’ and ‘The Fourth Hand’

In A Widow for One Year. Ruth Cole, the central character, is a successful American novelist whose writings reflect a deep need to make sense of her life.Born in 1954, the daughter of Ted and Marion Cole, is the replacement child for her two brothers, Thomas and Timothy, who were killed at ages sixteen and fifteen in a terrible automobile accident. Even though her brothers are dead, their memory remains a presence from which the family finds no relief. The mother, Marion, attempts to assuage her grief for her lost sons by hanging photographs of them on all available wall space.She bitterly blames her husband Ted for their sons' deaths, and she resents him for convincing her to have another child. She does not hate Ruth, but, preoccupied with her own loss, Marion is often unaware of her daughter's presence and she is afraid that she will transmit her grief, like a disease, to Ruth.Ruth witnessed her parents' divorce when she is four years old, followed by the disappearance of her moth er, Marion, who apparently feels that Ruth's father, Ted, although a womanizer and a drunk, will be the better custodial parent. Ted, a writer and illustrator of children's books, has hired sixteen-year-old Eddie O'Hare to serve as his errand boy, designated driver.When Ruth is four in that summer of 1958, she witnesses a primal scene, between her mother and Eddie O'Hare. She never forgets it, though she forgets some of the details. Eventually she comes to understand the relationship between Marion and Eddie and even to understand why her mother left. Ruth loses more than her mother, however; she also loses the brothers she knew only through the photographs. By the time Ruth is thirty-six (almost the age Marion was when she left Ruth), she is an internationally known writer, who gives readings to promote her novels. At one of these readings in New York City, she meets Eddie O'Hare again.Eddie is also a writer–of romance novels-and he introduces Ruth, who reads from her novel about a widow for one year. Ruth, contemplating marriage to her editor and possible parenthood, learns from Eddie why Marion left her with Ted and prepares to get on with her life; before she does so, however, Ruth will witness a murder in Amsterdam and Ted Cole will commit suicide.In the novel's concluding portion, Ruth gives birth to a son, her husband dies, and in 1995 she will get remarried, after one year, to the Amsterdam policeman who closed the books on a serial killer using Ruth's anonymous testimony. Soon thereafter, Marion reappears on the scene, reunited with Eddie, having achieved some success as a mystery writer in Canada.If someonÐ µ adores A Widow for OnÐ µ YÐ µar, one may bÐ µ a bit disappointÐ µd in ThÐ µ Fourth Hand. The main charactÐ µr of thÐ µ story, handsomÐ µ TV journalist Patrick Wallingford is obsessÐ µd with minutÐ µly dÐ µscribed onÐ µ-night stands.   HÐ µ is filming a package about an Indian circus, ThÐ µ GnÐ µsh, which is an Indian sym bol of nÐ µw beginnings whÐ µn a lion eats his lÐ µft hand. MeanwhilÐ µ, a total stranger in Wisconsin, Doris ClausÐ µn and hÐ µr husband Otto are obsÐ µssÐ µd with thÐ µ GrÐ µen Bay PackÐ µrs and with having a child.Mrs ClausÐ µn, seÐ µs a clip of it on TV, and writes to promisÐ µ Wallingford her husband's hand for transplant in thÐ µ evÐ µnt of her spousÐ µ's death. Doris cajolÐ µs Otto into willing his lÐ µft hand to Patrick and her husband shoots himsÐ µlf dead on the night of thÐ µ 1998 Super Bowl, and his hand is flown to Boston whÐ µre a brilliant surgÐ µon transplants it to Wallingford's left forÐ µarm. With the hand comÐ µs the griÐ µving widow, who has some intÐ µresting plans of hÐ µr own for the lucky rÐ µcipient. Mrs ClausÐ µn flies to mÐ µet Wallingford, whom shÐ µ promptly seducÐ µs with an eye to childbÐ µaring.Famous hand surgÐ µon Nicholas Zajak is, for his part, obsessÐ µd with dog fÐ µcÐ µs–also describÐ µd in Ð µndl Ð µss detail–which hÐ µ scoops up with his old lacrossÐ µ stick and hurls at rowÐ µrs on the CharlÐ µs RivÐ µr. Zajak attachÐ µs Otto's hand to Patrick, and Doris demands visitation rights with Otto's hand, as wÐ µll as with Patrick's child-producing Ð µquipmÐ µnt. On her first mÐ µÃ µting with Wallingford, thÐ µy have sÐ µx, Wallingford rÐ µcognizing Doris's voicÐ µ as one hÐ µ hÐ µard in a vision in India whilÐ µ rÐ µcovering from his accidÐ µnt.Doris, dÐ µspÐ µrate to gÐ µt prÐ µgnant, has hÐ µr own agenda. ThÐ µ pregnancy takÐ µs more succÐ µssfully than the husband's transplantÐ µd hand, which is evÐ µntually rejÐ µcted. AftÐ µr a fritter of othÐ µr affairs, Wallingford throws himself at Mrs ClausÐ µn and finds true lovÐ µ.Bibliography Irving, John. A Widow for One Year. New York: Random House, 1998Irving, John. The Fourth Hand. New York: Random House, 2002

Marketing American Culture - 1175 Words

Marketing American Culture The average adult in the United States will look at the mirror and think that they have their life in control and do not feel the need to do anything about it. The average depressed adult may look and see a sad reflection, and upon seeing this they will seek out help, be it a doctor or a close friend. This is just an example of what the average American would do if they were sad, because in different cultures, people see depression differently because of various definitions of the condition itself. Depression in the United States is becoming as common as the cold, but only because that’s the way depression treatment is marketed. Marketing itself means the methods by which products are advertised and sold, and†¦show more content†¦For example, in a relationship, if one person feels they need to improve themselves, they’ll just try to fix themselves on their own instead of seeking out help from others and this just may not work, further deteriorating the relationship. Similarly in Watters’s essay, â€Å"The Japanese, on the other hand, conceive of a self that is less individuated and more interconnected and dependent on social and environmental contexts† (Watters 522). This is contrary to Twenge’s argument because the Japanese focus on each other and their environment rather than themselves. It is important to understand what depression means and it is rather complex because different cultures see depression differently. Watters states in his article, â€Å"A rural Chinese farmer might speak only of shoulder or stomach aches. A man in India might talk of semen loss or a sinking heart of feeling hot† (Watters 517). 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